Andi Schwartz has a PhD in Gender, Feminist and Women’s Studies from York University. Her dissertation, Low Femme, Low Theory: An Ethno-Archive of Femme Internet Culture was published in August 2020.
(2021). (with Morgan Bimm) Opening up the pit: Negotiating a punk ethos with PUP. Punk & Post Punk. doi: https://doi-org.ezproxy.library.yorku.ca/10.1386/punk_00112_1
(2020). Soft femme theory: Femme internet culture and the politics of ‘Softness.’ Social Media + Society. doi: https://doi.org/10.1177/2056305120978366
(2020). Low Femme, low theory: Memes and the new bedroom culture. Feminist Media Studies. doi: https://doi.org/10.1080/14680777.2020.1861050
(2020). “Radical vulnerability: selfies as a Femme-inine mode of resistance. Psychology & Sexuality, 1-14. doi:https://doi.org/10.1080/19419899.2020.1810745
(2019). (with Morgan Bimm) “Canadian Crybabies: Radical Softness, Feminized Publics, and the Politics of Carly Rae Jepsen.” In V. Kannen & N. Shyminsky (Eds.), The Spaces and Places of Canadian Popular Culture, pp. 288-296. Canadian Scholars Press.
(2018). “‘Put On All Your Make-Up And Cry It Off In Public”: The Function of Ugliness in Femme Grieving Practices.” In S. Rodrigues & E. Przybylo (Eds.), On The Politics of Ugliness, pp. 69-89. Palgrave-MacMillan.
(2018). “Locating femme theory online.” First Monday, 23(7). doi:https://doi.org/10.5210/fm.v23i7.9266
(2018). “Low Femme.” Feral Feminisms: An Open Access Feminist Online Journal, Issue 7 http://www.feralfeminisms.com/low-femme/
(2016). “Critical Blogging: Constructing Femmescapes Online.” Ada: A Journal of Gender, New Media, and Technology, Issue 9